Thursday, September 25, 2014

Death Dealers


So one of my current bathroom reads is Talk of the Devil by Riccardo Orizio about his interviews with 7 dictators. My main motivation to read it is to help me breathe a bit more life into all of my antagonists, not just the ones in Tempest Makers.

Sometimes, when a story begins, the bad guy doesn't always start out as a bad guy.

I know you know this.

My interest in the evolution of a proper bad guy lie in the evolution of the character's psychology, whether it's the antagonist in question or the influenced society, environment, or universe the antagonist affects. Rumors and misinformation are huge catalysts to this evolution. This progression fascinates me because it's as subtle and varied as being born on a winter's day at sunrise in Buffalo, New York versus being born at sunset in the middle of a heatwave in Phoenix, Arizona. 

How many times has history sorted out and revealed just how "bad" or "not that bad" someone is. But it took time, and the distance of it to give us more of an unemotional look, when we're not hindered so much by what society thinks while the wound is still fresh and when, most, if not all, the "players" are either dead or politically impotent.

Sometimes you have to take a step back and take a deep breath.


On the other side of that same coin, I do so love a bad guy when you have no idea why he is So. Damn. Bad. An excellent example is Javier Bardem's character Anton Chigurh in No Country for Old Men. You don't have time to wonder what happened in his life as to why he's so bad. There's no room or time for sympathy. He's just, flat out, unapologetic, and perfect at being bad.

Monday, September 1, 2014

We. Are. Superheroes. OR, How I Channel My Rage


I'm self-publishing Tempest Makers this year. I have a date in my head, but it's not set in stone until I can officially sort out the cover design, formatting, marketing, and finish with final editing.
But the point is I will self-publish a story by the end of the year.

When I realized I'd publish soon, the first emotion I felt was joy, followed by nausea, then relief (not relief from throwing up, because I didn't). The sense of knowing I'm so close to transferring my energy from this story to the next is invigorating.

It's said when you publish the first story, the rest fall out of your head and onto paper.
Yeah. I get that now.

DUH, I'm a little nervous, but I'm happy/surprised I'm taking this all so well. I'm pretty sure it's because I have a great source of writers who've successfully self-published and are happy to help me.

My choice to self-publish came after a lot of thought, but the reason most important to me was that I wanted to see if I could do it. I dated a guy several years ago, and he said he thought I was brilliant because instead of not knowing the answer to a question and going on with life not finding out the answer, I look for the answer. I was flattered because, 1, this guy was not one to freely give out ego boosters like that, and 2, I care about the Answer, whatever it is. I'm curious about it. I'd like to know________. When I know, I'll either look more into it, or tuck it away in the Random Crap File and maybe bring it up at a party, Gathering, or interview (Not as unprofessional as you may think.).

I guess I don't see a reason in slowing down my momentum or deciding now is a good time to put on rose-tinted glasses.

I understand being tired, and falling out of love with your writing, and getting into fights with it, and having an ugly cry because it hates you because you've read and/or edited the same line that feels like a zillion times, and you 2 take a break to "see other people," to come back and fall in love all over again.

If I do decide to publish with a House, I'll know what I'm doing. I'll understand the "guts" of promotion and working with others as a writer with an editor's perspective and if there is an issue with or question about promotions, formatting, cover design, etc., I'll be able to verbalize my needs in an intelligent way.

Is what I'm doing nuts? …Relative to what?

Is what I'm doing easy? Things are easier when you're prepared to be flexible. We didn't go to the moon because it was easy, and look at how much we know now. Look at how much is possible.

One of the most important reasons to publish at all was brought on by the catalyst of rage. Pure, bright, white, molten hot light of Rage. I'm not going to go into the origin story for the Rage. I'm focusing on what I did with it. To be fair and honest, I'm human (shocked, I know), and it took about 2 days to process the situation to where I was able to focus, but I knew in the early stages of the rage I needed—it was imperative—that I channel it in a positive way. My awareness was raised enough to know, the rage wasn't going to go away and I needed to do something with it. I reasoned with myself. I told myself, if I physically act on this rage, I'll end up arrested or dead. I had stories to publish, so getting arrested or dying would mess that up all to hell. Eventually, I calmed down, tweaked a scene, and it was a defining moment that added the right amount of conflict to Tempest Makers. The story went from "bubblegum" to "Yes. Yes, I just went there," especially compared to the next 2 stories where, now that I think about it, I'm going to have to make sure lighter scenes are added because of what has to be in those stories to allow for flow.


One foot in front of the other.