Thursday, April 24, 2014

The History of a Story: Octavia

Disclaimer: In writing this blog, I realize the cost of embracing fear on many, many levels.
I remember the day I first heard about Octavia Butler. Unfortunately it was the day NPR announced she had crossed. I can't recall the interview. It's been 8 years. She crossed 4months after my grandmother crossed, and 3 months after I was laid off from my job, a day after starting graduate school. I lived in my bathrobe for much of that winter. My brain hurt.
It took a while for my brain to process Octavia was a black, female, science-fiction writer. I'm trying to remember which emotion I felt first. Surprised that black people wrote science fiction. Happy that black people wrote science fiction. Really, really, really damn sad I wouldn't be able to meet her in this existence.
My husband and I listened to an audiobook of Kindred and it was an indescribable feeling of what awe and liberation feels like (I know that sounds weird given what Kindred is about), what opening a door that just appeared and finding every joy that ever existed feels like. I felt the twinge of possibility and it has taken 7 years to build enough momentum to bring my stories to light. But do you want to know something very odd? I didn't get a chance to finish listening to Kindred. The audiobook was a book on cassette I checked out from the library. The cassette was very old and I had to turn up the volume to be able to hear the narrator. My husband and I gave up on the tape and made a promise we would find her books and read them. I have 6 of her books sitting on my shelf, waiting to be read.
At first I felt like an ass because I haven't opened a single book, but I don’t think I was ready to read her stories until now. Over the last year or so, in my search for writers of color, I found NK Jemisin, rediscovered Nalo Hopkinson (I had Brown Girl in the Ring for a stupid long time before reading it), Saladin Ahmed, and so many more.
I was never alone. *squishy feeling on the inside.*
In knowing Octavia existed, the block of "you can't write science fiction because you're black" no longer has a right to exist. To continue to allow the block to exist, meant, 1, I continued to be unconscious, and for reasons other than writing, I try to do my best to be "militant" about due diligence. 2, everything Octavia stood for in regard to being a human being, whose legacy is worth carrying on, and not because she was black and not because she was a woman, made it hard to ignore and insulting to her memory if I didn't at the very least try to bring my stories into the light.
There is much momentum in trying. I've seen people give 2 craps about something and it comes into being with little effort.
What can I do when I put Love around an idea? That's some pretty powerful stuff. I met an artist and yoga instructor who wrote paper on an Octavia Butler series for her class. I met a professor who taught Parable of the Sower to her students. Many of them loved it so much they read Parable of the Talents on their own.
So that's where I am at the moment. I sent the beta readers Tempest Makers late last night, and instead of twiddling my thumbs, I'll read Kindred and work on text for a website.
Take care.

Talk to you later.

Saturday, April 19, 2014

The History of a Story

I hope you are well.
I've been busy figuring out social media and wrapping up editing projects. The only things left on the burner are editing a tabletop game, writing text for a friend's web site and my own WIPs.
I suppose I should show a little leg and tell you what my stories are about, or maybe their origins [Who wants to show too much leg? Kurt Vonnegut (some will get that. Others will not.)].
The first story in a yet to be named series, came to life a year ago. It WAS supposed to be a submission for an anthology, but a series of things happened. 1, I was terrified of putting myself "out there," so, 2, I waited until the last minute to finish the story and submit it in time, and, 3, after the panic subsided I discovered, 4, I wanted more breath for this story than ten thousand words would allow (that, and I hadn't gotten the grasp of pulp fiction yet).
When I decided to stop pushing around my story on my plate and hide it behind the mash potatoes I found a really great writing coach. Her name is Rebecca T Dickson, and she has the attitude of Boudicca, and at this time in my writing life I need a writing coach warrior like her. I appreciate her honest, "I've been where you are, so you have no excuse, tough-love attitude. She is fierce. She is good people.
So. Here we are. A year later and about 6 pages of fleshing out the climax away from finishing my short story before I send it to beta readers.
Tempest Makers is an alternate, near future, Sci-Fi, Fantasy. Raze at Dogtree is the story I began first but (see reason 1) finished Tempest Makers first. The universe of these stories is humans, nonhumans, and basically the theme of justice, in all its debatably beautiful and sometimes brutal forms, and how that has an effect that lasts for a time longer than most people realize, or are willing to admit.
There will be some pulp fiction in regard to 2 characters from RaD, but right now those ideas are puffs of air in my brain and in index-card stage of their creation, waiting to be born. I'm juggling with the idea of publishing those first to help you understand the characters' justifications for what happens in RaD and also I think adding those side stories in RaD would probably slow it down. The pulp, for pulp, would be "in medias res," where as where I would put them in RaD would not. Plus I have so many other things planned for these characters, pulp seems most appropriate. Thank you, Andrea Judy.

I'll post this for now, and I promise not to be a stranger. Strange, Duh, but stranger… it's all about context.