"I lost an arm on my last trip home."
Now that is how to
start a story. I can't think of any other sentence that has such impact and
meaning, and not be completely understood until The End.
So many questions.
It took a while to read Octavia Butler's Kindred, but I'm glad I did. Many parts
of the story were hard to read. I found myself putting down the book, doing
something, anything, else, before picking up the book again.
The story has so many layers of conflict, I don't know where
to begin. I love the element of surprise, so I tend to be a stickler about
spoilers. I'm trying to figure out how to talk about the novel's impact without
giving anything away.
You know what's going to happen, but you don't really know.
It's taken me a while to attempt to "verbalize"
how important this story is, and how it, in many ways, still resonates now as
vibrantly as it did when it was first published.
Okay, I think what really stuck out for me were the relationships
among the characters. It was like looking at a panoramic snap shot of ignorance-driven
envy and it not being inauthentic. And not inauthentic from a historical point
of view, as in, I wasn't there, how would I know, but not being inauthentic from the point of view of people treating
each other like crap. It’s a matter of have and have-not. You-have-something-I-want-You-have-something-better-You-are-treated-better.
'Know anyone like this?
I think great stories are universal. The Universality is
either very deep at the core or hovers just at the surface. I'm sure someone's
already mentioned this. Great stories are the discussions that last long into
the night, where there are agreements and agreements to disagree. Great stories
are the maps that change from the medieval print of mythical beasts and personified
clouds blowing winds toward exotic lands, to the time of Amerigo Vespucci, to
any and all versions of Yugoslavia over that last 100 years. The same world. Different
views.
I'm sure I'll touch on or around this topic again. But for
now, this will have to do.